








In May 2024, during the mandatory archaeological monitoring of the excavation at Salvatorplatz for the erection of the monument to the Mann family, remains of burials were discovered in the cemetery of the nearby Salvator Church and the cemetery wall. Neupert, Kozik & Simm Archaeology Office was commissioned to carry out the work and recovered a child’s skeleton from the Baroque period. The cemetery was in use until around 1800.
This was actually known, and the cemetery is also designated as an archaeological monument, but it was assumed that no finds were to be expected due to the numerous construction measures on the square after 1945 and an air-raid shelter under the square. However, during an inspection of the basement beneath the Salvatorgarage, it was discovered that it is located entirely beneath the building, with only a narrow passageway beneath the square.
Excavating the entire site down to the planned foundation depth of up to 1.90 m in some places and having it archaeologically examined would have been very costly and time-consuming, so it was necessary to halt construction and then dismantle the building until the situation had been clarified.
The finds, especially at the start of construction, were a hard blow and left me in conflict: on the one hand, I am interested in history and archaeology myself; viewing, collecting, and documenting finds are part of my artistic practice. And the excavations also attracted the interest of passers-by and employees of the Literaturhaus. For a short time, Salvatorplatz was transformed into an excavation site where the remains of past lives and former city dwellers became visible—an exciting process in itself. And it seems fitting that the Mann family should have a memorial here, where traces of other families’ lives are also visible. On the other hand, the finds prevented the long-awaited completion of the memorial project, which has been dragging on for several years.
The excavations set in motion a series of renewed coordination processes with the monument protection authorities, including the Bavarian State Office for Monument Preservation, where the project at Salvatorplatz seemed to be called into question at times, not with regard to the archaeological monument, but in principle; departments that had apparently not been involved before got involved, the State Monument Council—a body I had never heard of before—was asked for its opinion and referred the matter back to the monument preservation authorities, who asked me to submit a new project description with visualizations that would more clearly show the effect on the “Munich after 1945” ensemble…
So the central location in the old town has its pitfalls. Nevertheless, the location remains ideal for the monument in terms of content, in the immediate vicinity of the Literaturhaus, with its connection to literature and in particular its “patron saint” Thomas Mann. I had also designed the monument specifically for this square, as a gathering of the signs scattered throughout the city in a central location, with the towering, light-giving luminaries.
At the beginning of 2025, the monument protection authorities signaled their fundamental agreement with the monument, which manifested itself in a permit for further (archaeological) excavations. Now, in accordance with the recommendation, the foundations for the lights must be planned to be flatter, and technical solutions must be found for the changed starting position. The planning is now continuing! Frosch Architects have been on board since May 2025.
I hope that the monument project will be completed, if not in the Zauberberg year 2024, then in the Thomas Mann year 2025!